Saturday, December 30, 2017

The Artist's Process

"Tree Study #3", 12x16 oil on panel
"Tree Study # 2", 10x8 oil on panel
"Tree Study # 1", 10x8 oil on panel

        On November 1st an exhibit of plein air paintings by the Washington Society of Landscape Painters opened at the Athenaeum on Prince Street in Old Town Alexandria, VA.   Athenaeum curator, Twig Murray's concept for the exhibit was for "sketchy" field studies that might be used to inspire larger, more complex studio paintings or be the finished work in itself. She wanted to show the various methods artists use to create their finished paintings.
         The WSLP is well known for plein air painting and it is something the group does together the last Sunday of every month. Some members paint exclusively en plein air while others view their paintings as studies. I fall into the latter group. That is not to say that on occasion I feel that a particular painting created on site is "done" and I frame it up and exhibit it along with my studio work.
         The three little paintings shown here were all created from my deck in the summer between the hours of 6:30 and 8:00 PM on different evenings. Each portrays a different view of the woods behind my house being drenched in the same golden light. While they do stand on their own I was most interested in studying the light and interesting ways to create texture and movement when painting the trees. They are studies in positive and negative spaces and the use of both palette knife and brush. They will be helpful references.
My Sketchbook 
      Also included in the exhibit is a glass case holding sketchbooks by four members and mine is one of them.  Shown here is how I prepare for a studio painting by doing a pencil sketch on one side and then a color study on the other.  I can then prop the sketchbook up and use these studies as my reference. I find it more helpful and interesting than working from a photo as I have already edited the information before me.
      There is one more week to view the exhibit: THE ARTIST'S PROCESS at THE ATHENAEUM GALLERY 201 Prince Street, Alexandria VA. Closing date is Sunday, January 7th at 3:00 PM.

Thursday, December 21, 2017

Something Had to Give!

"Silver Morning" 60x48 oil on line Commissioned Painting
        I haven't posted in months! This has not been for lack of something to say or due to a lull in production.  Quite the contrary.  This fall I went into over drive with preparations for five shows, a large commissioned painting, a week long plein air event and all the rest of the stuff of life that all of us have to deal with.  Like many artists I do my own framing, packing and publicity.  Something had to go if I was going to honor my deadlines and that something was my blog and social media.  Even that small change took some of the pressure off. The good news is the commission was a success and the paintings arrived on time to the shows, the bad news is nobody heard about it. Hmmmm.

      So, I will at least document some of the work and events in this post and some upcoming ones. The painting posted here is the one commissioned by a couple from North Carolina who already own two of my paintings. I was thrilled with the request particularly since the subject was my beloved Outer Banks. All they asked was that the palette be muted greens, bright grays and white and that the size be 60x 48. I did four 8x10 studies and let them choose the one to work from. I gave them the study along with the painting.
       The last two studies are currently on view in the 109th Thumb Box exhibit at the Salmagundi Club, 47 5th Avenue, NYC!

"Silver Morning" study 8x10 oil on panel
"Low Cloud" study 8x10 oil on panel
"Aftermath" study 8x10 oil on panel
"Edge of the Storm" study 8x10 oil on panel