Monday, August 21, 2017

Another Nocturne

"Key Bridge Nocturne, 32,5x32.5 oil on panel
        Summer is entirely too enticing to spend indoors so I have been silent here on my blog preferring to squeeze every moment from this wonderful season,  We have had a wet summer which has enhanced the lush greenery of this region and when combined with the notorious Washington heat it has helped create some wonderful atmospheres.  One such night is what inspired this painting.

         The air was moist and heavy and the colors from the city lights reflected back up through that atmosphere. There was a shimmer and sense of movement in the sky. I painted this on a panel larger than I usually use and it was a great opportunity to use a variety of tools.  There was a lot of brushing, rolling, scraping and dragging.  I let accidents lead me along instead of correcting them and they helped create an interesting surface.  Sometimes it is best not to stick slavishly to the original plan.  If I see something good I go with it. I think that if the painting is exciting for me to paint then perhaps that will translate into the image. I was enjoying this one so much that I was in danger of overworking it.  I put it out of sight for a week, took it out and corrected a couple of things and declared it finished!
          I hope you enjoy it!

Monday, July 17, 2017

Back to the City

"Summer Rain, Pennsylvania Avenue" 30x30 oil on panel
     I have enjoyed painting and sketching outdoors again and have some good studies to put to use but I am feeling compelled to return to the studio and paint the city.
    I am working larger for now and I find the square format helps create some strong compositions. My favorite panels are not available larger than 20x24 and no squares larger than 12x12 but Ampersand will cut any size Gessoboard I request! I have been adapting to the different surface and I find I like it very much when I give it more tooth by applying additional layers of gesso both with a roller and with a brush. Good to know it is such a strong, archival substrate, the only drawback is the weight. I will most likely not go larger than 36x36.

     ON THE EASEL....I am working on a 32.5x32.5 painting titled "Key Bridge Nocturne". So far so good but it still has a little way to go. I am still experimenting so we shall see.......

     ON EXHIBIT.....I have four paintings on view at the Delaplaine Center in Frederick MD (well three, because one sold) and you can see some photos of that show in my last post.
      ON THE HORIZON....The Washington Society of Landscape Painters will have a plein air exhibit at the Athenaeum in Old Town Alexandria, VA and it will open November 1st and extend until December 31st. I will be the coordinator for that exhibit.

HAPPY PAINTING EVERYONE!

Monday, June 26, 2017

The WSLP at the Delaplaine Visual Arts Center




    This beautiful exhibit of 87 paintings by the members of the Washington Society of Landscape Painters opened at the Delaplaine Center for the Visual Arts in Frederick MD last Saturday.  I am proud to be a member of this society which has been in existence for over 100 years. Membership is limited to only 40 members and we exhibit as a group at least once a year. We meet monthly for plein air painting excursions and several times a year for meetings and critiques.  I find the work of my colleagues an inspiration!

     I am the Exhibitions Chair Person for the group so I have been busy with this show, painting and getting ready for our next exhibit which is scheduled to open in November at the Athenaeum in Old Town Alexandria, VA. That too will be a spectacular setting for a show! If you live anywhere near Frederick please try to stop by this impressive arts center and see our show. It runs until July 30th and there will be an artist's reception this Saturday, July 1st from 3:00 to 5:00.
www.delaplaine.org 

     I have four paintings in this show and two of them are among the paintings in the photos. I wonder if you can tell which two are mine :-)



Tuesday, May 30, 2017

Getting Out of the Studio

Painting the Perennial Garden at Bon Air Rose Garden in Arlington

      Finally my favorite time of the year!  I adore spring and all it's glory, particularly flowers. Along with wanting to get my hands in the dirt and plant new things is the desire to be out painting all that color and light.  We have been having so much rain (pouring as I write) that I haven't been out and about as much as I would have liked. However, last Friday the sun blessed us from time to time on a mostly cloudy day and I was able to join friends from the Washington Society of Landscape Painters at the Bon Air Rose Garden in Arlington Virginia.  The roses were extraordinary but the textures and intense colors of the perennial garden lured all five of us.

"Larkspur" 8x8 oil on panel
      This is the little study I did of the bed I was facing. The actual color of the larkspur is somewhere between the color in the photo and the color in my painting.  I had left my cobalt blue at home and I think that would have been the right blue to mix with alizarin or pyrole red or cad red to get just the right color. Instead I relied on ultra blue with a little cerulean and alizarin.  I used a palette knife for most of the painting but also a loaded brush here and there. The panel was toned with a wash of salmon pink and you can see some of it shining through in the trees, among the flowers and along the walk.  I thought it a good choice for both a cloudy or sunny day painting.
       I would love to do a large, studio version of this one. Perhaps 30x30?

Wednesday, May 3, 2017

"Summer Grazing"

"Summer Grazing" 24x30 oil on linen

     Just a quick post of a painting I did in June of 2015 of a vista of rolling Virginia hills looking towards the Blue Ridge Mountains.  My mare Gypsy was hospitalized at the Marion DuPont Equine Medical Center in Leesburg and this is the view that helped ease the stress of that time.  This week we were back there again for another hospital stay and once again I fell in love with that landscape!
     This stay there were mostly large, dark ominous clouds scudding over the fields threatening storms. The day we came home was brilliant and sunlit with a sky filled with white fluffy clouds just floating along. Thank God for places like this!


Thursday, April 20, 2017

Cloud Play

"Cloud Play" 16x20 oil on linen panel

     Many artists have locations that they like to paint again and again.  This is one of mine. Actually I have painted over twenty 6x8 studies, some plein air and others in the studio from memory. This is a scene I see everyday and as it is on high ground and fairly open it is easy to watch the changing sky and how those changes affect the color and light on the fields. This studio painting was developed from the plein air painting shown below.
     
     There are several exhibits looming in the near future and I think I will submit "Cloud Play" for one of them. This season is so beautiful that I would like to attempt another landscape from this property but next time perhaps the lower field and maybe a spring storm will be on the way. Time for a little drama!

Plein Air study, 6x8 oil on panel

Monday, April 17, 2017

Quick Studies

"From the Kitchen Window" 6x8 oil on panel

     I have a couple of paintings in progress in the studio as I have three exhibition deadlines to meet and I am finding it hard to stay focused when all is coming to life outside my windows. Last week, after painting in the studio most of the day, I was struck by how beautiful the early evening light was. I was standing in the kitchen considering what to cook for dinner when I changed tack and decided I absolutely had to paint that light!  I am so happy that I keep my pochade box loaded and ready for such moments. I had exactly the right panels tucked in the cover of the box and the one I chose had been toned with a wash of cadmium orange. Perfect!  So I spent a happy hour painting this tiny study, "From the Kitchen Window".

My process for studio work


     Studies like "From the Kitchen Window" have become an important part of how I work. Some, like that little painting, can stand alone and might find their way to a small works exhibit but mostly I like to keep them as references for larger studio works. I also work from drawn sketches in my various sketchbooks, most starting off from quick "thumbnail drawings" and then developing from there.  The above image shows how I created "Blues Alley" which I posted a short while back.  I like to carry a 4x6 inch sketchbook with me and just a ball point pen. That way I am ready for whatever scene might entice me. If it is something I feel I want to paint later in the studio I size it up on graph paper (scaled to the size canvas I want to paint)  and then do a color study (in oil) in the sketchbook I keep for that purpose. Those three things are my references for the painting.

Take a trip to the hardware store!
     In my last post I mentioned some new tools.  Here are some of the fun things I found at my local hardware store and that I am finding useful, particularly for larger paintings. Good edges, both sharp and blurred can be created with some of these!